Home Girls, the pioneering anthology of Black feminist thought, features writing by Black feminist and lesbian activists on topics both provocative and profound. Since its initial publication in 1983, it has become an essential text on Black women's lives and contains work by many of feminism's foremost thinkers. This edition features an updated list of contributor biographies and an all-new preface that provides Barbara Smith the opportunity to look back on forty years of the struggle, as well as the influence the work in this book has had on generations of feminists. The preface from the previous Rutgers edition remains, as well as all of the original pieces, set in a fresh new package.  Contributors: Tania Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Cenen, Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willi (Willie) M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez, Akasha (Gloria) Hull, Patricia Spears Jones, June Jordan, Audre Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd, Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith, Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed, Alice Walker, and Renita J. Weems.

Home Girls, the pioneering anthology of Black feminist thought, features writing by Black feminist and lesbian activists on topics both provocative and profound. Since its initial publication in 1983, it has become an essential text on Black women's lives and contains work by many of feminism's foremost thinkers. This edition features an updated list of contributor biographies and an all-new preface that provides Barbara Smith the opportunity to look back on forty years of the struggle, as well as the influence the work in this book has had on generations of feminists. The preface from the previous Rutgers edition remains, as well as all of the original pieces, set in a fresh new package.  Contributors: Tania Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Cenen, Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willi (Willie) M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez, Akasha (Gloria) Hull, Patricia Spears Jones, June Jordan, Audre Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd, Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith, Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed, Alice Walker, and Renita J. Weems.

Presenting the essential writings of black lesbian poet and feminist writer Audre Lorde, SISTER OUTSIDER celebrates an influential voice in twentieth-century literature. In this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope. This commemorative edition includes a new foreword by Lorde scholar and poet Cheryl Clarke, who celebrates the ways in which Lorde's philosophies resonate more than twenty years after they were first published. These landmark writings are, in Lorde's own words, a call to "never close our eyes to the terror, to the chaos which is Black which is creative which is female which is dark which is rejected which is messy which is. . . ."






Reviews..".it's been almost a quarter of a century since Audre Lorde's essays and speeches in Sister Outsider made an indelible mark on 20th-century literature. But the words of the black lesbian feminist poet seem as lyrical and unforgettable, and, sadly, as relevant today as when she first tackled everything from racism and homophobia to ageism and class dichotomies. A must-have book that every lesbian should read."--Curve Editor's Pick "Lorde was a brilliant feminist poet and intellectual whose theories on the power of embracing our internal contradictions as well as the differences between people and groups is the way to powerful coalition building and social progress." --New York Post, Sunday "Poet and librarian Lorde collected 15 of her finest essays and speeches in this 1984 volume. With her poet's command of language, she addresses sexism, racism, black women, black lesbians, eroticism, and more. Still powerful."--Library Journal, Starred Review"Audre Lorde is a passionate sage. I say 'is' and not 'was' because her keen insights continue to provoke and sustain us and give us courage. The reissue of this book is a gift to longtime admirers and to new readers who have yet to discover the power and grace and splendid audacity of Audre Lorde."--Valerie Miner, author of After Eden and professor of feminist studies at Stanford University" Lorde's] works will be important to those truly interested in growing up sensitive, intelligent, and aware."--New York Times

The third book in the series, Creative Clarinet Improvising uses the techniques encountered in Creative Clarinet to develop new and exciting improvisational skills. Each of the 16 pieces is presented with a range of warm ups, scales, and solo ideas or melodic variations, to be used as a basis for improvising.

G.R.I.T.S. - A MARVELOUS AND DIVERSE COLLECTION OF WRITINGS AND WRITERS This cutting-edge anthology G.R.I.T.S: Girls Raised In The South- An Anthology of Southern Queer Womyns' Voices and Their Allies, edited by Poet On Watch & Amber N. Williams, can be compared to the pioneering anthology Home Girls which featured writings by Black feminist and lesbian activists on topics both provocative and profound. G.R.I.T.S. is a critical self-analysis and celebration with multicultural queer women voices and their allies through essays, short stories, poetry, photo stories and healing comfort recipes. The perspectives are of womyn who live in the Southern region of the United States and/or have a strong affinity for this locale. The theme of the publication surrounds the subject matter of erotica while enjoying food, our connection to the South, the bonds created between lovers, and in sisterhood, personal growth, be it spiritual or otherwise and our best G.R.I.T.S recipes. Come and sit a while on the porch and bask in this Southern hospitality. We have the iced tea waiting. Welcome to our lives. To join us in community please like our facebook page https: //www.facebook.com/grits.anthology.

Creative Clarinet is a tutor book ideal for beginner and intermediate clarinettists of all ages. Tried-and-tested pieces in a variety of contemporary styles-including rock, swing, funk, blues, and Latin-are presented alongside guidelines on the fundamentals of technique from expert teachers Kellie Santin and Cheryl Clark. As with each book in the series, Creative Clarinet is accompanied by a CD featuring play-along tracks by world-class musicians.

BL Clear and systematic progression BL For beginners of all ages BL Teaches with reference to jazz and contemporary music styles throughout BL First steps towards confident improvisation BL Covers all relevant elements of technique BL Lots of idiomatic practice material BL Authentic and varied CD backing for many of the pieces BL CD includes versions for alto and tenor instruments

The politics and music of the sixties and early seventies have been the subject of scholarship for many years, but it is only very recently that attention has turned to the cultural productions of African Americans poets. In "After Mecca," Cheryl Clarke explores the relationship between the Black Arts Movement (BAM) and black women writers of the period. Poems by Gwendolyn Brooks, Ntozake Shange, Audre Lorde, Nikki Giovanni, Sonia Sanchez, Jayne Cortez, Alice Walker, and others, chart the emergence of a new and distinct black poetry and its relationship to the black community's struggle for rights and liberation. Clarke also traces the contributions of these poets to the development of feminism and lesbian-feminism, and the legacy they left for others to build on. She argues that whether black women poets of the time were writing from within the movement or writing against it, virtually all were responding to it. Using the trope of "Mecca," she explores the ways in which these writers were turning away from white, western society to create a new literacy of blackness. Provocatively written, this book is an important contribution to the fields of African American literary studies and feminist theory.

This work is designed to create a forum for synthesizing collective voices from women of color in academia. It will serve as a professional development tool for academicians, both embarking upon and maintaining careers in higher education. Filled with dynamic women of color sharing one of their most valuable resources, their experience, the authors mentor the reader by discussing practical lessons and mapping career path strategies.